“End of the Line” published!

“End of the Line” is a pretty dark tale about the last dozen human soldiers left in the galaxy as they witness the horrors of war against an alien enemy who knows (nor shows) no mercy. It’s an adult tale, so it has profanity, violence, and adult situations (like sex stuff but nothing graphic).

Give it a read on your Kindle (it’s exclusive to Amazon for the first 90 days) for $2.99 by clicking on the image below!

Many, MANY special thanks to Trevor Smith for painting such a gorgeous cover, and to Rebecca Weaver for doing such great typography!

“End of the Line” cover update #5

Trevor Smith is done with the ebook covers for “End of the Line,” and now Rebecca Weaver is working her magic with the title/author typography. These are not final versions, but they are looking pretty awesome!

"End of the Line" alternative cover - title test #1

“End of the Line” alternative cover – title test #1

"End of the Line" main cover - title test #1

“End of the Line” main cover – title test #1

“Dollar Fiction: Portal Wars #1” cover art update

Keith Draws sent me a rough paint of the cover he’s working on for “Portal Wars #1.” It’s going to be a killer cover (for a story about killer mechs/robots invading Earth!).

"Dollar Fiction: Portal Wars #1" rough cover paint

“Dollar Fiction: Portal Wars #1” rough cover paint

“End of the Line” concept art update #3-ish

Right. So. Trevor Smith and I came to the conclusion that the original cover idea gave away too much, so he’s back at the drawing board. However, we both loved what he’d drawn before scrapping the idea, and Trevor has decided to keep working on it to add to his portfolio.

The new cover will have Terran Marines in their CR-31 combat fighting suit, probably blasting the bad aliens and such. In the meantime, here’s some more of the original art that won’t be on the cover (however, I might go ahead and purchase it as an alternative cover for the paperbacks, because it is pretty damn awesome).

More concept art from Trevor Smith for "End of the Line."

More concept art from Trevor Smith for “End of the Line.”

“End of the Line” cover art update

Just received an update from Trevor Smith, the artist working on the cover of “End of the Line.” This is NOT a finished piece, just a slight update to show me what some of the aliens look like. They look pretty %#@$! awesome!

"End of the Line" art (WiP)

“End of the Line” art (WiP)

End of the Line – Chapter One

(First chapter of a nearly finished post-apocalyptic, alien invasion, military science fiction novel. Not sure why I can no longer get proper formatting in these posts anymore…)

ONE

I watched the endless lines of humans allow themselves to be herded to their deaths from three miles away. The combat scope’s digital zoom was top-notch, and allowed me to see too much detail. A woman in a torn red dress, crying with two children clutched to her chest, a family of at least eight, most of the children still in their pre-teen years, a group of at least thirty senior citizens, all of them too dazed to resist as they were led like cattle to the slaughterhouse.

The building that housed the Kai ovens reminded me of a warped children’s toy, one invented by a sadistic madman. Instead of malleable clay being fed into one end and spaghetti or pizza coming out the other, this one took in human beings and belched out an oily, blackish-grey smoke that hung in the air like thick smog. I wondered if the Kai had bothered to learn some human history, then decided to pick one of the most terrible events ever recorded as a fitting end for us. We had no idea what the Kai had done to the Hanura, other than once the Wire had gone silent, their amusing voices no longer chattering on the network, we knew that they’d become part of galactic history. The same with The Seven, our other ally against the Kai. Maybe this was the way that the Kai always vanquished their foes.

A commotion to the right caught my attention and I shifted the scope. A Kai soldier had picked up a human in each of its two powerful hands and carried them toward the entrance of the furnace. The two Kai soldiers guarding the doorway stepped forward to block the mass of humans while their comrade dragged the kicking, screaming men inside the building. The soldier reappeared three seconds later, and began patrolling the area as if nothing had happened. I thumbed the power button on the scope and rolled over when the Kai began shuffling people into the incinerator again. I couldn’t watch anymore.

“How bad is it?” Sergeant McAdams asked me from a few feet down the hillside.

“The same as Denver, Salt Lake, and Great Falls,” I whispered down to her.

“Come on, let’s go,” she said.
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Le $.99 / Free Sale (this weekend)

This weekend, I’m offering all of my books at either $.99 or Free @ Amazon!

Angry Sale

Including my latest release “Diabolus”

The Big Bhang #4: Make Joints, Not War

The Big Bhang #1: The Master & The Streak
The Big Bhang #2: Global Legalization & The Human War Machine
The Big Bhang #3: The Lill & The Backstory of the Backstory

             4. Make Joints, Not War

Forjay sat in the lobby of the GlrgHlkd Hotel and Convention Center on Rialta-9, spreading his attention between watching the numerous strange aliens wander past him, and watching GANJA on his wrist comm. Galactic Al-Jazeera News and Journalism Association anchor Zarg Graxon, a Ji, which is a race of lizard-like bipeds, vaguely humanoid, except for the upper classes, who all have a third eye on a stalk protruding from the top of their heads, was relaying the latest galactic day’s news. The top story, for the four hundredth day in a row, was about how little time the upstart humans had left before being ground into raw elements by the combined might of the Galactic Union.

Humans, other than Forjay, of course, raged at their holo sets and flat screens and wrist comms at the news, with a number of them using the Federation internet to lodge complaints detailing how GANJA was nothing but an alien tool to spout propaganda to the masses about how awful humans were, and how they should be exterminated. Of course, like most humans, the majority of them refused to pay for premium cable or satellite, and watched the clips on the net. The clips, when not pure propaganda from xenophobic types that lived in trailer parks and on bubbles attached to asteroids, were generally badly subtitled from half-assed translations.

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The Big Bhang #3: The Lill & The Backstory of the Backstory

The Big Bhang #1: The Master & The Streak
The Big Bhang #2: Global Legalization & The Human War Machine

3. The Lill and the Backstory of the Backstory

Within two hours of the Hipronians coming across humans wandering about within the Hipronian Outer Colonies, the Galactic Union had been informed that the one hundred and eighty-eighth race of star-faring aliens had been encountered. Within forty-eight hours after humanity’s first contact with an alien race, a massive GU warship entered Earth’s orbit and demanded a meeting with the leaders of the FAP.

Even then, some of the FAP generals wanted to lob a few nuclear warheads at the GU ship, just to see if they had shields, and to see if they were tough. Luckily for humans, the generals weren’t able to actually make military decisions on their own. Once holovid footage of the warship in orbit reached the government, everyone visibly trembled. Some even fainted. According to the satellite laser scans, most of the gun barrels on the alien ship were large enough to fire shells the same size as the rockets humans were using to put those satellites into space with.

The humans agreed, and the GU warship sent down a dropship. Humans across the entire Federation held their breaths as the landing gear settled on the ground outside of the U.N. building in New York City. They were hoping that these aliens were cute and fuzzy like the Hipronians. When a frightening monster with four arms and what seemed like hundreds of claws, fangs, and gun barrels stepped from the dropship, panic riots broke out all over the Federation.

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